Tuesday, 20 December 2016
Saturday, 10 December 2016
Wednesday, 7 December 2016
Sunday, 4 December 2016
Drake, The Weeknd, Justin Bieber: The rise of Canadian R&B is more than just a moment
I have a fear of being forgotten. It can be argued that everyone has this fear, that it's a part of human existence.
However, I notice how few African-Canadian artists have Wikipedia pages — and how few mentions about past radio and TV shows developed, hosted and produced by black Canadians there are online. When I say the names of those pioneers to my colleagues, I observe blank looks on their faces. Every time I see these things, the feeling of being forgotten feels less universal — and more specific to African-Canadian folks.
That's why this week's column will be a little different. Usually, I write about other people, but I can unabashedly admit that I want my own work to be remembered — like my radio show.
Earlier this month, Marvin's Roomdebuted on CBC Radio 2. It's a weekly one-hour music show hosted by yours truly and produced by Pete Morey. Following eight weeks of summer episodes, we received the green light for a year on the air.
It's not the first R&B show in the Canadian radio landscape, but it's the only one on CBC dedicated to the genre.
Its foundation was laid by numerous programs of the past: The Love Zonehosted by Geena Lee (Flow 93.5, Toronto), Vivian Barclay's Bulletproof Soul (CKLN 88.1 FM, Toronto), The Black Experience in Sound hosted by the late T.E.D.D.Y. Pemberton (CJSR 88.5 FM, Edmonton), the legendary Michael Williams's Club 980 (CKGM 690 AM, Montreal) — just to name a few of the shows that came before.
Still, Marvin's Room is an oddball in the world of radio. There are no interviews on the program and no call-ins from fans. There are no DJs spinning sets and no countdowns.
Perhaps these elements will come later, but right now, Marvin's Room is a show built on stories and music.
When I began the show this summer, I imagined life-long listeners of CBC Radio being confused by the sound of Roy Woods crooning over the airwaves. That's why I tell stories on the show: I want to provide the audience with some context — perhaps about an artist or a song's creation or my connection to the sound. The stories invite them into the listening experience.
It's evolved into an incredible opportunity to tap into my love of storytelling and create a format that is distinctly unique from other music shows. The fact it's heard each week by a national audience gives Marvin's Room the potential to redefine what's considered Canadian music.
From the Barenaked Ladies to Alanis Morissette, Canada's sound has been shaped by rock. However, the last decade has witnessed a shift.
Drake, Justin Bieber and The Weeknd are Canada's best-known cultural exports today. They are frequently called pop stars, but their sonic influences and foundations come from the worlds of hip hop and R&B.
Last year they made history by simultaneously holding the top spots on the Billboard charts. This year, Drake also broke Billboard records as the male artist to spend the most time at No. 1 and was Spotify's most-streamed artist for the second year in a row.
Earlier in 2016, Montreal-based producer Kaytranada won the coveted Polaris Music Prize for his album 99.9%. It's a record that spans the gamut of musical sampling and remixing but retains a strong foot in the worlds of R&B and soul. All in all, it's an exciting time for the genre — and the perfect moment for Marvin's Room.
It feels simultaneously like a gift and an incredible responsibility launching Marvin's Room in 2016, a year that will inevitably go down in the history books. In a year that marks the end of the Obama era and the start of the Trump regime, I feel a particular sense of urgency to represent a diversity of voices.
It's the year that has seen the death of legendary musical artists lkike Prince, Sharon Jones, Phife Dog and Maurice White — a reminder that we need to not only honour these legends but also create space for the newcomers who will take up their creative mantle and push the culture forward.
It's also the year that has witnessed some of the world's biggest pop stars use their platform to make unapologetically political stands, from BeyoncĂ© at the Super Bowl and Kendrick Lamar at the Grammys to A Tribe Called Quest's "We the People" music video. These artists have created a soundtrack for revolution — and I am so excited to play it for the country.
This year also saw an unprecedented proliferation of well-received Canadian albums inspired by R&B: Kaytranada (99.9%), DVSN (Sept. 5th), River Tiber (Indigo), Tanika Charles (Soul Run), Drake (Views), Tory Lanez (I Told You), The Weeknd (Starboy), Nuela Charles (The Grand Hustle), Partynextdoor (P3), Roy Woods (Waking at Dawn) and Majid Jordan (Majid Jordan). Getting to introduce this music to the country is one of my greatest pleasures in doing the show.
The culture is growing at a rapid pace and Canada is at the forefront. There are still gaps to fill, particularly in the coverage of hip-hop music, but I'm proud to be part of a national show dedicated to sharing R&B with the country.
In the first few episodes, I always played songs from Marvin Gaye and Drake. The name of the show is a salute to both.
In the '70s, Gaye built a recording studio he named Marvin's Room. The studio became a sanctuary for the legendary R&B artist, not only a place for recording music and the occasional party, but also a reprieve from the outside world. Decades after his death, Drake visited the studio to record new music — including a song called "Marvin's Room."
I hope the show becomes a special place, too — for Canadian R&B artists and their fans, especially. A place that won't be forgotten.
@adepeace
Friday, 2 December 2016
Thursday, 1 December 2016
Wednesday, 30 November 2016
Tuesday, 29 November 2016
Sunday, 27 November 2016
Turkey's new political state of mind since failed coup: 'scared and extremely angry
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About The Author
Nil Köksal
CBC News
CBC News
Nil Köksal is a CBC News correspondent based in Istanbul. Köksal is an award-winning journalist and host who has reported from New York, Washington D.C., Turkey, Tunisia and Syria. You can connect with Nil here:
Roundups, detentions, arrests, repeat. This is just part of the pattern to daily life in Turkey since the attempted coup in July.
"YoÄźun" — intense — is the word people here often use to talk about the developments.
More than 110,000 people — judges, teachers, members of the military — have been suspended or put out of a job entirely. Another 36,000 are in jail awaiting trial as part of the post-coup-attempt investigation.
This week, hundreds of charities and non-governmental organizations — women's shelters and legal organizations among them — were also shuttered.
The "red lines" that Turks refer to often as breaking points have been crossed, erased and redrawn several times just in the past few weeks.
The arrest of politician Ahmet Turk on Thursday was the latest jolt. The 75-year-old co-mayor of Mardin in southeastern Turkey has long fought for Kurdish rights. He has been arrested before, but is also widely seen as a man of compromise and peace.
Pragmatism, paranoia, or power grab?
The staggering tally makes it easy for many in the West to roll their eyes and dismiss Turkey. But without condoning what is happening, understanding the circumstances and psychology is useful.
Turkey's government says the detentions and arrests are necessary. The organization it now calls FETO (Fetullah Gulen Terror Organization) was so pervasive, the government alleges, that it infiltrated every aspect of society, including the military, the education system and politics.
'After 9/11, it took some time for the U.S. to come to its senses. Likewise, in Turkey, it will take some time.'- Cengiz Erisen, researcher in political psychology
Many Turks have long wondered why, for so long, so many Turkish governments were cozy with Gulen's network. Erdogan's AKP took that relationship to another level, even jailing journalists for investigating Gulen. Now the government is jailing journalists for allegedly supporting Gulen.
And, while there may well be criminals among the tens of thousands rounded up since July, the scope of the crackdown dilutes its legitimacy — at least to outsiders.
This may all defy logic, but logic isn't the currency at the moment. Fear is.
Cengiz Erisen, an Ankara-based academic specializing in political psychology, points out there's a particular mindset to politicians who feel threatened.
"They're scared and they're extremely angry, so they want to punish the source as much as possible and get revenge as much as possible. Under threat, sometimes people do things that are extremely irrational for the future," Erisen, who is affiliated with Binghamton University in New York state, told CBC News.
Then there is Turkey's deadly fight against the PKK , an outlawed group designated a terrorist organization by Turkey, the United States and the European Union, which began its insurgency in 1984.
Add to the mix Turkey`s location and secular political system. It is rare in the region, and vulnerable because of it.
So, the government is using its state of emergency powers to clamp down on anything it sees as potential threats.
All of this combined, also helps explain why, while there have been many opposition protests, most Turks have been quiet in response to the government's decisions.
Whatever you want
Erisen said the Turkish government's response is not surprising. He compares it to post 9/11 America.
"Between desperation and fear, you can get everybody to do whatever you want, he said.
"People gave up their civil rights for the sake of greater security in the U.S.," adding "it doesn't mean that [what the government is doing] is right or it cannot be questioned."
When might the crackdown end? When might the state of emergency, now in effect for four months, be lifted?
"After 9/11, it took some time for the U.S. to come to its senses. Likewise, in Turkey, it will take some time," Erisen said. "The important point is where do you actually make the U-turn … and reach out to the public again. That's not on our side at the moment."
Offer to help
Neither, the Erdogan government keeps repeating, is the West. And that has its own psychological impact.
Erisen suggests the key to effecting change in Turkey is to keep offering genuine help, and keep EU membership talks active.
Otherwise, if the Turkish government feels more and more isolated from and ignored by the West, it can take more, drastic measures.
Decades of EU agony aside, the Turkish people are still scarred from the coup attempt and being hit almost daily with news of a worsening economy, terror attacks and the Syrian war at its border.
"Nobody trusts each other," Erisen said.
There is another comparison with the U.S. that can be made. Take a look at the fears about fake news, polarization and consolidation of political power as Trump makes the transition to a new presidency. That's been the reality in Turkey for years. It is exceedingly tough to reverse.
Friday, 25 November 2016
Anthony Martial must take Manchester United chances, Jose Mourinho says
Anthony Martial must make the most of his Manchester United chances or risk a team-mate 'taking the meat", Jose Mourinho says.
The France star has struggled to live up to a fine first season in England, scoring just twice in 13 appearances since Jose Mourinho replaced Louis van Gaal.
Martial was left out of the squad for Thursday's Europa League win over Feyenoord five days after starting the Premier League draw with Arsenal.
And Mourinho says the competition for places among his wide forwards - intensified by Henrikh Mkhitaryan's impressive midweek return - means no one is guaranteed a place.
He said: "The way the team played last season - and I'm not saying better or worse, just different - was probably more adapted to Anthony.
"Probably he was feeling more comfortable playing that way, at that intensity, at that rhythm of the ball possession and ball circulation. So probably he needs also some time.
"But in our squad, for these positions, we have Mkhitaryan, Jesse Lingard, Memphis Depay, Juan Mata, Marcus Rashford, Martial. These are probably the positions where we have more options.
"And, you have one opportunity, you have two, you have three - if you don't bite, then somebody comes and takes the meat.
"They are friends, they are colleagues, they work together every day, but in the end they compete between themselves to have more chances to play."
United go into Sunday afternoon's Premier League game at home to West Ham on the back of three successive home draws in the league, a run which has contributed to a nine-point deficit on leaders Chelsea.
But the gap can be bridged, according to Mourinho, who said: "You can recover points. Other teams can lose points. During the season, there are moments where everything goes against you and where everything goes in your favour.
"We know that the game is not over - but the reality is that there is a distance, and there are many quality teams. It's a very difficult competition, but let's go match by match and see what happens."
@adepeace
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